Zen Buddhism And Its Relationship
to Elements of Eastern And Western Arts

Fredric Lieberman

TABLE of CONTENTS

I.

Basic Principles of Zen

II.

Zen and the Arts

III.

Zen and Contemporary Western Art

IV.

References

I. Basic Principles of Zen

ZEN IN CHINA shared much with the Taoism of Lao-tzu and Chuang-tzu, so much that it is difficult to determine how much of Zen has Buddhist origins, how much Taoist. It is important to remember, in this connection, that we are speaking of the so-called "philosophical" Taoism and Zen, as opposed to the later "degenerate Taoism" and "institutionalized Zen" of more recent times.

The basic premise that the highest truth, or first principle, or Tao, is not expressible in words or conceivable through logical thought is common to both Taoism and Zen. Both hold, moreover, that an intuitive understanding of the first principle is possible, and this is called enlightenment. The enlightened Taoist sage is considered to have gained some special knowledge, coupled with arcane skills, and thus becomes somehow removed from the world, but the Zen Master gains nothing other than the realization that there is nothing to gain, and is thus more than ever in the world.

Whereas Lao-tzu poetically says "The Tao that can be named is not the real (eternal) Tao," the Zen Master takes this for granted; if questioned on the subject his answer will most likely be a non sequitur, or he might scream "kwatz!" or strike the disciple. This is not Taoistic quietism (wu-wei) but action where words will not do. The effect is to force the student back into his own mind, rather than to foster a dependence on teachers.

Enlightenment consists in realizing that Buddha-nature exists in everything and everyone. "See into your own mind" and you will find the Buddha-nature that has been there all along. The historical Buddha is no greater or less than the lowest sentient being--all share in Buddha-nature. Scriptures are useless, ritual leads nowhere. Enlightenment is possible for everyone: the illiterate can achieve the same experience as the learned scholar. Eternity is here and now. One need not seek to learn something new, just realize what is already present.

Buddha-nature is not metaphysical, not something apart from ourselves. There is nothing to gain from enlightenment. We realize that there is nothing to realize. Some Zen scholars have been more adamant on this point than others. Suzuki has said: "Before Zen men are men and mountains are mountains; during Zen study things become confused; after enlightenment men are men and mountains are mountains, only one's feet are a little off the ground." Other scholars hold that there is nothing at all: we have always been enlightened, and will forever be deluded; Zen enlightenment consists only in this realization. (Fung 1952:II, 400).

To pass from delusion to enlightenment means to leave one's mortal humanity behind and enter sagehood. The life of the sage, however, . . . is no different from that of ordinary men, for "the ordinary mind is the Tao," and the sage's mind is the ordinary mind. ( Fung 1952:II,402-403).

Buddha-nature lies in the fact of being, not outside it. As Blyth says (1960a:27): "the -ite is bliss. There is no bliss in anything infinite or finite. Iteness only is bliss." The universe is an indeterminate, constantly changing state of iteness. Being and non-being merge. Opposites share Buddha-nature, differ in their individual essences or spirits.

According to both Zen and Taoism, the attempted control of nature by man is at once absurd and useless. The history of Western society and its technology has been the story of man's long struggle to control nature. The Taoist would say: act like water, through yielding is strength. When dealing with men rather than nature, the Taoist would counsel that, after recognizing the inherent power of yielding, one may also use strength if the particular situation warrants it. The Zen master merely says: act and don't worry about it; what you do may be right or wrong, neither is bad. That is, from the universal point of view there is no right and wrong: these are values superimposed by society--the universe makes no distinctions or categories. This raises the delicate question or moral responsibility, but it should be noted that the Zen adept strives to fulfill the "Four Great Vows" in which it is stated: "I vow to save all sentient beings." Compassion is also part of Zen.