Chinese Bhiksunis in the Ch'an Tradition
Heng-Ching Shih
The spirit of essential Mahayana Buddhist doctrines assumes equality between male and female, although in the mundane world the position of Buddhist women is lower than that of Buddhist men. The Chinese Ch'an Buddhist tradition, following the egalitarian teaching of One-Mind of enlightenment, advocates non-discriminating, universal Buddhahood accessible to every sentient being, whether male or female.
Nevertheless, women's status and spiritual capacities have not been upheld as highly in Buddhist history as they have by the Chinese Ch'an School. Although the Buddha acknowledges that "women, having gone forth from home into homelessness in the Dharma and discipline proclamined by the Truth-finder, are able to realize the fruit of stream-attainment or the fruit of once-returning or the fruit of non-returning or perfection,"1 women have not been regarded as equal in spiritual development in Buddhist literature.
Buddhist women in early Buddhism enjoyed a higher position than their later counterparts, yet in numerous early Buddhist texts they are portrayed as jealous, stupid, passionate and full of hatred. The prototypes for the negative image of women are the daughters of `Mara` , personified as Lust, Greed and Craving. Male practitioners who set their bodies and minds on the path to liberation were advised to keep women at a distance.2 Women are said to have five obstacles, namely being incapable of becoming a Brahma King, `Sakra` , King `Mara` , Cakravartin or Buddha. The body of woman is considered impure and shameful. In Mahayana literature we see a gradual evolution of a positive concept of women in terms of their wisdom and practice. This change is based on the doctrine and philosophy of Mahayana Buddhism. Whereas the pre-Mahayana literature represents the traditional views of an established monastic institution dominated by monks, Mahayana adovcates the Bodhisattva figure who embodies the highest state of wisdom and compassion in which all sexual and social discrimination ceases to exist. Every one, whether male or female, monk or layperson, is regarded as a potential Buddha. However, the Mahayana literature, although propounding an egalitarian view, does not unanimously uphold the equal status of women. The spiritual status of women is presented differently from sutra to sutra within the Mahayana tradition.3 Generally speaking, the Mahayana sutras which depict women's spiritual progress may be classified into four types, illustrating the gradual improvement in the attitudes toward women.4
1. The Sutras Which Hold a Negative Attitude toward Women.
In these sutras women are protrayed as representing the profane world, `samsara` , and thus as potential obstacles to spiritual growth. In the `Udayanavatsaraja-parivartah` (The Tale of King Udayana of Vastasa) from the `Maharatnakuta` we read,
Women can destroy pure precepts.
They retreat from doing merits and honor.
Preventing others from rebirth in heaven,
They are the source of hell.5
The Ta-cheng Chou-hsiang kung-te ching ( `Mahayana Stura` on the Merits of Making the Images of the Buddha) depicts women as narror-minded, jealous and hateful. They do not forgive nor repay kindness. Even if they seek enlightenment, they are not persistent. It is true that Mahayana was more sympathetic toward women, still the element of misogyny remained in some of its literature. However, this extreme prejudice against women is no longer the predominent attitude.
2. The Sutras which Deny a Women's Presence in the Buddhaland.
The
O Bhagavat, if, after I have obtained Bodhi, women in immeasurable, innumerable, inconceivable, immense Buddha countries on all sides after having heard my name, should allow carelessness to arise, should not turn their thoughts toward Bodhi, should, when they are free from birth, not despise their female nature, and if they being born again, should assume a second female nature, then may I not obtain the highest perfect knowledge."6
The `Smaller Sukhavativyuha` also explicitly declares that there are no women in the