the World ( shih-shuo Hsin-yu ), where the Taoist-
Buddhist interactions are documented. Among the most
influential of the Buddhists was the monk Chih Tun
(314-366), who was highly regarded for his eloquence
and scholarship,including creative reinterpretations
of such Taoist texts as the Chuang Tzu. His
importance can be gauged from the fact that he
merited nearly fifty mentions in the Tales.
Commenting on a comparison between erudition in the
North as opposed to the South, Chih Tun utilized
both metaphorical language and an allusion to the
Taoists' distrust of language:
Sages and worthies, of course, are those who
'forget speech,' but if we're talking about
people from the middle range down, the reading
of the Northerners is like viewing the moon in a
bright place, while the erudition of the
Southerners is like peering at the sun through
a window.(24)
The Tales also demonstrate the continuing
prominence of poetic expression in all walks of
life-from political intrigue to social criticism,
literary fame to refined entertainment. The poetic
preference for interweaving the strongly imagistic
Taoist terminology into one's work gradually evolved
toward Buddhist doctrine.(25)
T'ao Ch'ien
The poet T'ao Ch'ien (365-427; also known as
T'ao Yuan-ming) represents a transitional figure in
the increasing rapport of Taoist and Buddhist
currents. He was on intimate terms with individuals
from both groups. Especially noteworthy is his
connection with monks from the White Lotus Society
that eventually developed into Ch'an Buddhism.
T'ao Ch'ien has been hailed for both his poetic
prowess and his spiritual re-
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(23) For a detailed discussion of this climate see
Kenneth Ch'en, "Neo-Taoism and the Praj~naa
School during the Wei and Chin Dynasties,"
included in Chinese Philosophy, Volume II:
Buddhism (Taipei, Taiwan: China Academy, 1974),
pp.129-42.
(24) Liu I-ch'ing, A New Account of Tales of the