With one stroke, all previous knowledge is
forgotten.
No cultivation is needed for this.
This occurrence reveals the ancient way.
And is free from the track of quiescence.
No trace is left anywhere.
Whatever I hear and see does not conform to
rules.
All those who are enlightened.
Proclaim this to be the greatest action.
These lines indicate that Hsiang-yen indeed has
completely let go of his misguided fixation on mere
scholarship, something he was unable to accomplish
by simply burning his notes. Being instantaneous,
his break-through required no (conscious)
cultivation. On the contrary, it involved what Chang
Chung-Yuan refers to as "the cultivation of
non-cultivation." Nonetheless, there is an air of
verbal pretentiousness about these lines, betraying
a dissonance with consummate Ch'an. The poet is,
perhaps, too eloquen t and still too attached to his
intellectual acumen. Hence, he boldly claims to have
revealed the "ancient way" and to have freed himself
from "the track of quiescence." Conformity to mere
rules is disavowed, and he
────────────
(43) Tokusan as quoted by Lucien Stryk in his
preface to Zen Poems of China and Japan,
p.vlviii.
P.370
ranks himself among the enokghtened in his closing
proclamation.
Learning of Hsiang-yen's experience, a fellow
monk. Yang-shan Hui-chi (807-883), went to him to
verify Hsiang-yen's enlightemnent. After hearing the
above gaathaa he relegated it to the lowest level,
and raised a challenge to Hsiang-yen: "Hereing you
followed the sayings of the ancient masters. If you
have really been awakened, speak from your own
experience." In response Hsiang-yen composed a
second gaathaa:
My poverty of last year was not real poverty.
This year it is want indeed.
In last year's poverty there was room, for a