Chinese poetry, the Shih Ching (Classic of Poetry)
and the Ch'u Tz'u (Elegies of Ch'u or Song of the
South). Geographically considered, they represent
respectively the northern and southern strains of
early Chinese civilization, the first centered in
the vicinity of the Yellow River (Shandong and
Hopei) and the second in the Yangtze river valley
(Hunan and Hupeh) .Culturally, these anthologies
contain the twofold root of Chinese literary
tradition, whose offshoots developed as
manifestations of two essentially diverse
approaches to life, two unique ways of being in the
world.
The Shih Ching anthology consists of folk songs,
court compositions, and ritual hymns. The preface to
the text succinctly conveys the reigning perception
of poetry's origins within individual human
experience, as well as its social-political
functions:
Poetry is where the intent of the heart/mind
(hsin) goes. What in the heart is intent is
poetry when emitted in words. An emotion moves
within and takes form in words. If words do not
suffice, then one sighs; if sighing does not
suffice, then one prolongs it [the emotion] in
song; if prolonging through song does not
suffice,then one unconsciously dances it with
hands and feet. Emotions are emitted in sounds,
and when sounds form a pattern, they are called
tones. The tones of a well-governed world are
peaceful and lead to joy, its government
harmonious; the tones of a chaotic world are
resentful and angry, its government perverse;
the tones of a defeated state are mournful to
induce longing, its people in difficulty. Thus
in regulating success and failure, moving heaven
and earth, and causing spirits and gods to
respond, nothing comes closer than poetry. (15)
In contrast, the Ch'u Tz'u represents a
collection of poems composed in the southern state