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The Poetics of Ch'an:Upaayic Poetry and Its Taosist(34)

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     Hsiang-yen  cannot resist the temptation  to expound

     on his experience  in stereotypically  Ch'an jargon,

     displaying  a misguided conformity to non-conformist

     expressions.  The  remonstrance  of his fellow  monk

     forces  him  to  reconsider,  and  his  response  is

     accordingly less flamboyant. However, only the final

     poem shows that he has exorcised  the demons  of lan

     guage  and conceptualization, as he fully recognizes

     the   futility   of   verbalizing   enlightenment.

     Enlightenment  is for  him  no longer  an object  of

     intellect  but  rather  a fact  of being.  The Ch'an

     strategy  behind this process has been described  as

     follows:

 

      The Zen experience  is centripetal, the artist's

      contemplation  of subject sometimes  referred to

      as  'mind-pointing'.  The  disciple  in an early

      stage  of discipline  is asked to point the mind

      at  (meditate  upon) an  object, say  a bowl  of

      water.  At first, he is quite naturally inclined

      to metaphorize, expand, rise imaginatively  from

      water  to  lake,  sea,  clouds,  rain.   Natural

      perhaps, but  just  the kind  of 'mentalization'

      Zen masters  caution  against.  The disciple  is

      instructed  to continue until it is possible  to

      remain  strictly  with  the  object, penetrating

      more deeply, no longer looking  bold it but, the

      Sixth Patriarch  Hui-neng maintained  essential,

      bold  it..so  close  an identification  with the

      object  that  the  unstable   mentalizing   self

      disappears.(44)

     ────────────

     (44) Lucien Stryk, The penguin Book of Zen Poetry,

     p.23.

 

 

              P.372

 

     IV.  AN EPISTEMOLOGICAL  ANALYSIS  OF THE  THREEFOLD

       EXPERIENCE OF AWAKENING:THE CASE OF CH'ING-YUAN

       WEI-HSIN

 

     To  explore  this  process   more  closely,  let  us

     consider antoher set of enlightenment poems, perhaps

     the most famous of all, illustrating  the dawning of

     Ch'an awareness for Ch'ing-yuan Wei-hsin.  His three

     stage process of understanding has often been quoted