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The Poetics of Ch'an:Upaayic Poetry and Its Taosist(38)

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     realized. At this point, as Abe puts it, Realization

     A has been  grasped: 'I, as the True Self, am empty,

     unattainable.'  What  remains, however, is  an  even

     more radical step: "Emptiness must empty itself."

 

     III  'Mountains  are  really  mountains, waters  are

     really waters.'

 

      Stage three brings  us full circle, in a kind of

     Taoist returning with a difference. Differentiation

     emerges at the negation of no differentiation  in a

     negation  of negation, or double  negative.  Mutual

     cancellation  brings  about  absolute  affirmation.

     This is the emptying  of emptiness  giving  rise to

     fullness;  an  overcoming  of the  very  overcoming

     process,   a   liberation   from   the   liberation

     imperative. All attachments,even to non-attachment,

     are now effectively removed, as are the last

 

 

              P.375

 

     shreds of dukkha.  Nietzsche identifies  this as the

     self-forgetting  innocence  of the  child, who  says

     'yes'  to  life.  Or, as stated  by Master  Lin-chi,

     "When  hungry, I eat;  when  tired, I  sleep.  Fools

     laugh at me.  The wise understand."  (48) It signals

     the  Great  Death  of  the  remaining   remnants  of

     ego-self/non-ego-self.

      In the  threefold  process  of the  negation  of

     ego-self  followed  by the negation  of no-self  the

     true and ever unattainable true self is at long last

     realized.  This is wu-hisn, no-mind, the Middle  Way

     between former polarities.  It is not a solution  or

     resolution  of the problem  of self, but rather  its

     dis-solution  and  dis-appearance.   The  walls-both

     opaque and transparent-have  now been dis-solved  as

     well.  Abe speaks here of Realization B: 'Emptiness,

     the   Unattainable,  itself   is  the  True   Self.'

     Objectification  is  at  an  end,  and   realization

     merges  with  the realizer.  In coming  home  to our

     original  nature  we also  realize  that  the  whole

     world, represented  by the mountains  and waters, is

     home.

      The above discussion  illustrates  the multitude

     of uses to which  poetry  was put as a means to the

     end of enlightenment.  Building  on Indian sources,

     and   enriched   by  Chinese   poetic   and  Taoist