left on the shore once the river has been crossed.
For purposes of discussion, a three-fold process
can be mapped within the Ch'an poetics:
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(31) Quoted by Lucien Stryk, The Penguin Book of Zen
Poetry, p.14.
P.361
Great Faith (ta-hsin) , adherence to the
doctrines of Buddhism; "Our supreme faith.. is
in the Buddha's enlightenment experience, the
substance of which he proclaimed to be that
human nature, all existence, is intrinsically
whole, flawless, omnipotent-in a word, perfect.
Without unwavering faith in this the heart of
the Buddha's teaching, it is impossible to
progress far in one's practice."
Great Doubt(ta-yi-t'uan), a turning away from
vicarious knowledge and toward self-reliance by
the introduction of a salutary skepticism;
"mass-doubt".. as to why the world should appear
so imperfect, so full of anxiety, strife, and
sufering, when in fact our deep faith tells us
exactly the opposite is true. It is a doubt
which leaves us no rest." (32) As one master
observed: "The heart is Buddha'-this is the
medicine for sichk people. 'No Heart, no
Buddha'-this is to cure people who are sick
because of the medicine." (33)
Great Death (ta-shi), the point of break-through
with the "death" or eradication of the illusory
ego-self; both faith and doubt are transcended
in that there is no one in whom that faith or
doubt can be anchored.
Ch'an practice is designed to guide the student
successively through these three levels, each
building on its predecessor. By virtue of this
strategy, practitioners viewed themselves as having
gone beyond other Buddhists in terms of the depth of
their penetration into "original nature" or the
present state of Buddhahood. Thus, they