not the interpretable meaning (neyaartha).
‧Rely on wisdom (j~naana), not on [ordinary]
consciousness (vij~naana). (11)
Each of these guidelines redirects the focus away
from intellectual abstractions and back to the
original experiential core of the Buddha's
enlightenment. The same point is emphasized by the
Buddha in his parting advice to his disciples to
diligently pursue their individual paths to
awakening.
And so the stage was set for linguistic
indirection and evocation, summarized in the
well-known four points of Ch'an, often attributed to
Bodhidharma:
‧ direct transmission outside the Scriptures;
‧ non-reliance on verbal expression;
‧ direct pointing to the hear/mind(hsin);
‧ seeing into one's original nature (hsing) to
‧ realize our inherent Buddhahood.
Properly applied, poetry can satisfy each of these
requirements: it goes beyond the actual content of
orthodox texts, it utilizes language without
limiting itself to sim---
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(10) A.s.tasaaharkaa Praj~naapaarmitaa (The Wisdom
that has Gone Beyond), as quoted by Heinrich
Zimmer in Philosophies of India (Princeton,
1951), p.485.
(11) Catuhpratisaranasutra ( Sutra of the Four
Refuges), as quoted by Donald S.Lopez in his
introduction to his edited text, Buddhist
Hermeneutics (Honolulu: University of Hawaii
Press, 1988), p.3.
P.347
ple denotation, and it provides a species of
ostensive definition through its marshaling of
images. Finally, by means of the above methods,
poetry provides insight into the inmost depths of
reality.
The mergence of Buddhism and poetry through the
common thread of enlightenment was aptly noted by
literary critic Yen Yuu in the twelfth century: