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The Poetics of Ch'an:Upaayic Poetry and Its Taosist(36)

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     posit  the ego-self  as center  and focal point.  At

     this   rudimentary   level,  hsin  or  consciousness

     engages in (ultimately futile) wei activity, seeking

     to control and manipulate  what is perceived  as the

     other.

      In  turn, the  I  or  ego-self  perpetrates  the

     subject/object   duality   of   questioner   (1)  as

     distinguished   from   that   which   is  questioned

     (myself). Hence arises the eternal and central query

     of  western  philosophy  concerning   self-identity,

     epitomized   by  the  Cartesian   meditations.   The

     subjective  (inquiring) Self may be identified  with

     the  Tree  Self  discussed  in the Upanisads  as the

     aatman. Since it is impossible to grasp this aatman,

     the  ultimate  result  of  the  attempt  to do so is

     self-estrangement  and  anxiety.  In  a  generalized

     sense, the Buddha  termed  this dukkha, while modern

     psychotherapy  has referred to it as the Existential

     Vacuum (k'ung k'ung tung tung). As Abe observes:"The

     ego-self, split at the root into subject and object,

     is forever dangling over a bottomless  abyss, unable

     to gain any footing." (47)

      The existential realization of the  unattainabi-

     lity  of the True  Self constitutes  an opaque  wall

     blocking   the  path   of  enlightenment.   Only  by

     destroying   the  ego-self   can  no-self  or,  more

     precisely, no-ego-self, emerge, thereby  putting  an

     end  to  the  false  subject/object   duality.   The

     possibility of realization, and the impossibility of

     attainment, also  underscores  the present  fact  of

     enlightenment  as  an  awakening  to  a pre-existing

     reality   rather   than  an  accomplishment   to  be

     achieved.

 

     II 'Mountains  are  not  mountains, waters  are  not

     waters'

      The  keynote  at this  stage  is the  denial  of

     differentiation,  affirmation, and  objectification,

     that is a total contradiction of the preceding stage

     and   can   be  characterized   as  nihilistic.   It

     encompasses  the an-aatman  and pu-wei  of Taoism as

     well as Hui-neng's pu-hsin, in direct opposition  to

     the previous stage. For Nietzsche, it corresponds to

     the  nay-saying  rebellious  lion, representing  the

     common chord of destruction-Great Doubt.