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The Poetics of Ch'an:Upaayic Poetry and Its Taosist(2)

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     Ch'ien.

      The Ch'an synthesis reflects a threefold process

     of enlightenment, sometimes characterized as the Way

     of the Ancient  masters, The Ch'an  of Voidness, and

     the Ch'an of the Patriarchs.  This same process  can

     be traced in certain poetic expressions of the Ch'an

     practitioners,including Hui-Neng,Pai-chang Huai-hai,

     and   Hsiang-yen   Chih-hsien.   A   more   in-depth

     epistemological analysis of the threefold experience

     of awakening  is presented  in terms  of the  famous

     enlightenment  poem of Ch'ing-yuan Wei-hsin. The ex-

     position  aims  to  demonstrate  that,  building  on

     Indian sourecs, and enriched  by Chinese  poetic and

     Taoist  traditions, Ch'an  poetics  evolved  into  a

     powerful upaayic tool.

 

 

              P.343

 

     1. The POETIC PATH TO ENLIGHTENMENT(1)

 

      The inherent suitability  of the poetic form for

     communicating  the ineffable  has long been known to

     poet-practitioners   in  all  mystical   traditions.

     Examples  may be cited from such diverse  sources as

     the  Psalms  of the  Bible  and  the Bhagavad  Gita.

     Pieces  have  been  penned  by poets  as diverse  as

     Kukai, Mechthild of Magdeburg, and William Blake.(2)

      Poetry offers possibilities  of indirection  and

     evocation  far beyond those of any prose style.  Its

     metaphorical  use  of  language  is  able  to elicit

     meanings  without  bluntly  asserting   them.   More

     importantly,  perhaps, it  has  the  advantage  over

     clearcut declarations  of suggesting  a multiplicity

     of   meanings,  suited   to  its   multiplicity   of

     audiences.  Here  indeed  it truly  can be said that

     "less is more": less explicit  content  leaves  room

     for   more   implicit   connotations.   Thus,   the

     openendedness of a poem serves the  same function as

     the blank  space  in a Ch'an painting, allowing  the

     audience  to resonate  (yu-yun,)Japanese  yoin) with

     the work and, most importantly, with the artist.  In

     this way, "Artistic  appreciation  is..  transformed

     into   meditation."(3)

      The following  discussion  concerns  the pivotal

     role  played  by  poetry, as  it  evolved  from  the

     Sanskrit  gaathaa  found in Buddhist  suutra, within