Ch'ien.
The Ch'an synthesis reflects a threefold process
of enlightenment, sometimes characterized as the Way
of the Ancient masters, The Ch'an of Voidness, and
the Ch'an of the Patriarchs. This same process can
be traced in certain poetic expressions of the Ch'an
practitioners,including Hui-Neng,Pai-chang Huai-hai,
and Hsiang-yen Chih-hsien. A more in-depth
epistemological analysis of the threefold experience
of awakening is presented in terms of the famous
enlightenment poem of Ch'ing-yuan Wei-hsin. The ex-
position aims to demonstrate that, building on
Indian sourecs, and enriched by Chinese poetic and
Taoist traditions, Ch'an poetics evolved into a
powerful upaayic tool.
P.343
1. The POETIC PATH TO ENLIGHTENMENT(1)
The inherent suitability of the poetic form for
communicating the ineffable has long been known to
poet-practitioners in all mystical traditions.
Examples may be cited from such diverse sources as
the Psalms of the Bible and the Bhagavad Gita.
Pieces have been penned by poets as diverse as
Kukai, Mechthild of Magdeburg, and William Blake.(2)
Poetry offers possibilities of indirection and
evocation far beyond those of any prose style. Its
metaphorical use of language is able to elicit
meanings without bluntly asserting them. More
importantly, perhaps, it has the advantage over
clearcut declarations of suggesting a multiplicity
of meanings, suited to its multiplicity of
audiences. Here indeed it truly can be said that
"less is more": less explicit content leaves room
for more implicit connotations. Thus, the
openendedness of a poem serves the same function as
the blank space in a Ch'an painting, allowing the
audience to resonate (yu-yun,)Japanese yoin) with
the work and, most importantly, with the artist. In
this way, "Artistic appreciation is.. transformed
into meditation."(3)
The following discussion concerns the pivotal
role played by poetry, as it evolved from the
Sanskrit gaathaa found in Buddhist suutra, within